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Showing posts from 2016

What's in a Name? Naming and Denaming in Romeo and Juliet's Balcony Scene

How now reader? With my Masters course entering that busy time of year, I have been inundated with work and the blog has been somewhat neglected (and will probably continue to be so). Having said that, I thought I would take a few minutes to share some thoughts on Romeo and Juliet 's infamous balcony scene and the importance of naming and denaming. In Romeo and Juliet names are an integral part of the character’s lives - particularly their family name. Whether they are Montague or Capulet will determine who they can associate with and where they can go in Verona. Shakespeare knew the importance of titles in early modern England first hand. In the same year he wrote this play, his father, John Shakespeare, was refused the right to a coat of arms, and the use of the title “gentleman” that came with it. In 1596, Shakespeare himself was successful in renewing the petition on the family's behalf. Shakespeare had also already written about perhaps the most famou

My Guide to Literary Theory: Queer Literary Theory

The male and female signs that greet us at the toilet door offer us two very binary options, but in reality sex and gender is far more complicated than those signs suggest. Sex is never as simple as a binary choices, and it is this that queer theory wants you to understand; that all our pre-conceived ideas about gender roles and sexual identities are in fact unstable, and can be destabilized by simply picking them apart. Queer Theory is a relatively new cultural theory which emerged out of the 1990s, but very much has its origins in the work of Michel Foucault . It looked to establish sexual orientation as a fundamental category of analysis and understanding, and thus it has both a social and political aim. It is a criticism informed by a resistance to homophobia and heterosexism by exposing the ideological and institutional practices of heterosexual privilege. It was the feminist critics of the 70s that first began to explore and dissect gender, but the feminist outlook soon began

Reviewing Nausea by Jean-Paul Sartre

Nausea Jean-Paul Sartre Penguin Modern Classics (2000) ***(3/5) Written in 1938, Nausea (La Nausée in its original French) is the first novel of French existentialist philosopher Jean-Paul Sartre. This review is of the Penguin Modern Classics edition translated by Robert Baldrick. The novel is set in the town of Bouville, France (literally ‘mud town’) and is believed to be a fictional portrayal of Le Havre where Sartre was living at the time of writing. The novel takes the form of the diary entries of 30-year-old Antoine Roquetin as he suffers from strange and unexplained sensations of sickness that he refers to as ‘the Nausea’. I found Roquentin a difficult character to relate to as, on face value, he is man who seems to wallow through a comfortable, bourgeois life in which he has very little to worry about. For the last decade, Roquetin has been been researching the Marquis de Rollebon, a French aristocrat who lived during the French Revolution. Roquetin’s sickness begins

My Guide to Literary Theory: Feminist Literary Theory

Feminist theory first emerges as a literary theory during the women's movement of the 1960s, but it is important to remember that it followed a much older tradition of thought and action around women's equality, and is very much a renewal of those traditions. The foundations of this theory can be found in texts such as: Mary Wollstonecraft's A Vindication of the Rights of Women, Virginia Woolf's A Room of One's Own and Simone de Beauvoir's The Second Sex to name a few, but it is not until the 60s that it began to take a theoretical form. The movement realised the significance of the images of women propagated by literature, and saw it vital to combat and question the authority and coherence of those representations. For this reason, feminist literary criticism should not be seen as an offshoot of the feminist movement, but rather, it is intrinsically linked to the movement as a practical tool in influencing attitudes towards women. This makes feminist litera

Close Reading: Leda and the Swan - W. B. Yeats

Leda and the Swan BY WILLIAM BUTLER YEATS A sudden blow: the great wings beating still  Above the staggering girl, her thighs caressed  By the dark webs, her nape caught in his bill,  He holds her helpless breast upon his breast.  How can those terrified vague fingers push  The feathered glory from her loosening thighs?  And how can body, laid in that white rush,  But feel the strange heart beating where it lies?  A shudder in the loins engenders there  The broken wall, the burning roof and tower  And Agamemnon dead.  Being so caught up,  So mastered by the brute blood of the air,  Did she put on his knowledge with his power  Before the indifferent beak could let her drop? WB Yates Leda and the swan is a daring sonnet by Irish poet William Butler Yates that retells the story from Greek mythology of Leda,s impregnation  by the god Zeus in the form of a swan. Yates wrote this sonnet at the height of his

My Guide to Literary Theory: Psychoanalytic Literary Theory

Along with Nietzsche and Marx, Sigmund Freud was the third of the founding fathers of the hermaneutics of suspicion that I covered at the very beginning of this series of blogs. If you haven't read that blog, or have simply forgotten those founding principles, I recommend re-reading before you continue. Psychoanalytical theory centers around the works of Sigmund Freud which was brought back into importance during the 60s, supplemented with post-structuralist ideas, by the French psychoanalyst Jacques Lacan . Jacques Lacan Psychoanalysis works by exploring that gap between the conscious mind and the unconscious mind. Freud claimed that the deepest desires and wishes of the conscious will regularly erupt, uninvited, into our lives. Perhaps the most famous of his ideas are written in The Interpretation of Dreams (1899). In the work, he sets out the theory of an Oedipal complex or Elektra complex  that is essential to development. He claims that a child's desire for sexual

Close Reading: Bright Star! Would I Were Steadfast As Thou Art

Key Terms: Alliteration  - Repeated sound of the first consonant in a series of multiple words. Apostrophe  - Directly addressing something, someone or an abstract concept not present in the poem. Volta -  The turn of thought or argument in a sonnet. Iambic Pentameter -  Line of five feet of unstressed followed by stressed syllables.   Personification -  Human qualities given to animals, objects or ideas. Speaker  - The voice narrating the poem. Not necessarily the poet.  It has been a long time since I have done a close reading, and with all my blogs on theory and criticism, I think its important not to lose sight of our appreciation for the art. So in today's blog we will go back to the basics of appreciating and admiring poetry for what it is. I have chosen to look at this sonnet by John Keats -  Bright Star! Would I Were Steadfast As Thou Art. BRIGHT star! would I were steadfast as thou art—   Not in lone splendour hung aloft the night, And watching, wi

My Guide to Literary Theory: Post-Structuralism/ Deconstruction

In structuralism , we discovered the theory of a linguistic structure which binds all of our cultural production, but this notion came under continued scrutiny for some of its flawed principles. These critiques of structuralism began to form new ways of looking at and thinking about the textual. One such theory is post-structuralism also known as deconstruction. Jacques Derrida Just as structuralism is not purely a literary theory, neither is deconstruction. The textual is not solely the writing we are looking at, but also the entire way we experience the world. Post-structuralism  is rather difficult to pin down and is arguably not even theory at all. For the most part, we can consider both post-structuralism and deconstruction as the same theory, and the existence of both terms emerged out of critics arguing over which was more accurate. Jacques Derrida was not happy with the term "post-structuralism" as he believed, whilst his theory concerned structures, it was

My Guide to Literary Theory: Structuralism

Structuralism is not solely a literary term, it is a methodology that is concerned with language and specifically signs and signification. Structuralists attempt to uncover the structures and patterns that underlie all cultural phenomena. Structuralism is not only applicable to literature, it is applicable to everything humans do from media to fashion. Structuralism can be a deeply complex cultural theory, and as my knowledge of linguistics is minimal, I will refrain from going into the finer details of this theory and focus this blog on its relevance to literature. Ferdinand de Sausseure Structuralist theory emerged out of the work of Ferdinand de Sausseure in the 20th Century. He established the notion of language as a sign system of unchanging patterns and rules. Following his death, his notes and lectures on structural linguistics were compiled and published in the work,  A Course in General Linguistics . The work was highly influential and marks the starting point of struct